By Alan Richardson
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In a chain of articles released in Tait's journal in 1834, Thomas DeQuincey catalogued 4 strength situations of plagiarism within the paintings of his buddy and literary competitor Samuel Taylor Coleridge. DeQuincey's fees and the debate they ignited have formed readers' responses to the paintings of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever considering that.
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Extra resources for British Romanticism and the Science of the Mind (Cambridge Studies in Romanticism)
British Romanticism and the Science of the Mind (Cambridge Studies in Romanticism) by Alan Richardson