By Mary A. Waters
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In a sequence of articles released in Tait's journal in 1834, Thomas DeQuincey catalogued 4 capability circumstances of plagiarism within the paintings of his pal and literary competitor Samuel Taylor Coleridge. DeQuincey's fees and the debate they ignited have formed readers' responses to the paintings of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever when you consider that.
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British Women Writers of the Romantic Period: An Anthology of their Literary Criticism by Mary A. Waters