By Richard Fletcher,Johanna Hanink
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In a chain of articles released in Tait's journal in 1834, Thomas DeQuincey catalogued 4 strength cases of plagiarism within the paintings of his good friend and literary competitor Samuel Taylor Coleridge. DeQuincey's fees and the talk they ignited have formed readers' responses to the paintings of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever considering that.
King Arthur was once no longer an Englishman, yet a Celtic warrior, in line with Loomis, whose learn into the history of the Arthurian legend finds findings that are either illuminating and hugely debatable. the writer sees the vegetarian goddess because the prototype of many damsels in Arthurian romance, and Arthur's knights because the gods of solar and typhoon.
Welsh Gothic, the 1st learn of its sort, introduces readers to the array of Welsh Gothic literature released from 1780 to the current day. knowledgeable by way of postcolonial and psychoanalytic thought, it argues that a few of the fears encoded in Welsh Gothic writing are particular to the historical past of Welsh humans, telling us a lot in regards to the altering ways that Welsh humans have traditionally visible themselves and been perceived by way of others.
The Politics of Verdi's Cantica treats a novel case research of using song to withstand oppression, wrestle evil, and struggle injustice. Cantica, larger often called Inno delle nazioni / Hymn of the countries, commissioned from Italy's ideal composer to symbolize the newly autonomous kingdom on the 1862 London overseas Exhibition, served as a countrywide voice of delight and of protest for Italy throughout centuries and in very diverse political events.
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Creative Lives in Classical Antiquity: Poets, Artists and Biography (Cambridge Classical Studies) by Richard Fletcher,Johanna Hanink