By Marie Mulvey-Roberts
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In a chain of articles released in Tait's journal in 1834, Thomas DeQuincey catalogued 4 strength cases of plagiarism within the paintings of his buddy and literary competitor Samuel Taylor Coleridge. DeQuincey's fees and the debate they ignited have formed readers' responses to the paintings of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever for the reason that.
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Dangerous bodies: Historicising the gothic corporeal by Marie Mulvey-Roberts