By Margaret Russett
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In a chain of articles released in Tait's journal in 1834, Thomas DeQuincey catalogued 4 power circumstances of plagiarism within the paintings of his good friend and literary competitor Samuel Taylor Coleridge. DeQuincey's fees and the debate they ignited have formed readers' responses to the paintings of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever considering that.
King Arthur used to be now not an Englishman, yet a Celtic warrior, based on Loomis, whose learn into the history of the Arthurian legend unearths findings that are either illuminating and hugely arguable. the writer sees the vegetarian goddess because the prototype of many damsels in Arthurian romance, and Arthur's knights because the gods of sunlight and hurricane.
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De Quincey's Romanticism: Canonical Minority and the Forms of Transmission (Cambridge Studies in Romanticism) by Margaret Russett