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By Dino Franco Felluga

Explains why poetry gave solution to the realist novel because the dominant literary shape in nineteenth-century England.

Once the dominant literary shape, poetry was once progressively eclipsed by means of the realist novel; certainly, by way of 1940 W. H. Auden was once in a position to observe, “Poetry makes not anything happen.” within the Perversity of Poetry, Dino Franco Felluga explores the cultural history of poetry’s marginalization by means of interpreting nineteenth-century reactions to Romantic poetry and beliefs. targeting the paintings of Sir Walter Scott and Lord Byron, in addition to periodical experiences, pupil manuals, and modern clinical journals, the e-book information the period’s contending (and both outrageous) claims concerning poetry. Scott’s poetry, at the one hand, used to be always represented as a panacea for a latest international overtaken through new ideas of utilitarianism, capitalism, industrialism, and democracy. Byron’s, in contrast, used to be represented both as a melanoma within the center of the social order or as a contagious pandemic resulting in numerous pathological indicators. The booklet concludes with a coda on Alfred Lord Tennyson, which illustrates how the Victorian reception of Scott and Byron affected the most well-liked poetic genius of midcentury. eventually, The Perversity of Poetry uncovers how the shift to a rhetoric of well-being allowed critics to oppose what they perceived as a effective and very likely risky effect at the age, the very factor that might over the process the century be marginalized into such obscurity: poetry, because of its perverse insistence on making anything happen.

Dino Franco Felluga is affiliate Professor of English at Purdue University.

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The Perversity of Poetry: Romantic Ideology and the Popular Male Poet of Genius by Dino Franco Felluga


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